Unlike such wise, witty Pixar Animation tales as Up and WALL-E, this one's strictly a slapstick tale for the young ones.

Trouble is, Public Enemies feels rather stagnant. The film maintains a low-key, steady pace when it should be percolating with unbearable suspense.

The Hurt Locker is by far the most effective film yet on this subject. Its insights and reach extend far beyond what's happened there over the past several years.

A joyless cacophony, an insistent and seemingly endless onslaught, the sequel to the 2007 smash hit plays more like a parody of a Michael Bay movie.

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