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Review



Young Maestros

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True classical values,no dramatics in rendering,from the heart effort all camouflage an uncooperative voice for Sanjay,elevating him to the position of a singer who is destined to go places in along career.He is always known for his choice of the juiciest hits,compositions perfected and developed by masters of earlier generations,and its not always easy to match those standards.Sanjay does it with ease.Don't get fooled by a bad cover that puts one off as cheap stuff.Recording for a new generation singer and studio recording could be better.The saveri varnam sets the tempo,of a very youthful and vibrant approach typical of his age and temperament.If you are looking for perfection in kaalapramanam you will find it here.O Raajevaksha in Aarabhi continues the tempo,with a lot of twists and brigas.One notices fading points,especially when we are ready for the subtle nuances.But is it because of a fault of Sanjay's tricks or the sound recorder's.Ramanatham baje in Panthuvarali takes a whole 15 minutes and more,elaborate and thrashed,but with a well structured raagam,brisk neraval and a neat swaram.The not so popular Yedhaya Gathi in chalanattai. listen to sample(a masterpiece by Koteeswara Iyer brings a sudden peace to the flow,is refreshing and touching.Followed by another not-so-common Sriranjini piece, Bhuvinidasudane another 15 minutes of an enjoyable whole package - raagam,neraval and swaram.Begada,like kedaragowlai seems to be both a favourite and hit of Sanjay's.Thyagarajaya comes forward to help him exhibit his mastery over the raagam(a good potion of it here).And rather surprising too, to see him have the guts to end a CD with a heavy song like this, instead of the safer thukadas and thirupugazhs.If you are looking for wholesome treat,try this.Its got it all and more.Vittal Ramamurthy rises to the demand,so do Arun Prakash and Neyveli Venkatesh to bring your living room live with rich classical effort.

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